This course provides an introduction to the social and cultural reality of Latinos in the United States with a particular emphasis on the largest demographic group, the population of Mexican descent. The concept of the borderlands will be an analytical prism throughout the course that will allow us to look at Latino/a cultural identities within the United States as the product of complex negotiations both inside and outside the country’s geographical borders. Although we will mainly focus on the cultural production by Latinos and Latinas in 20th century and the beginnings of the 21st, the course will also examine some of the early responses in American letters to the cultural encounters between Spaniards and Native Americans, and between Spanish-speaking peoples and Anglos. Course materials will mainly consist of literary texts, autobiographies, and chronicles by major and minor authors, but music and visual arts will also be used as documents testifying to the diverse backgrounds and experiences of Latinos in the United States.
Course contents:- Paradigms. Gloria Anzaldúa, “The Homeland Aztlán”.
Suzanne Oboler, “The politics of labeling”.
- Early encounters. The Spanish colonial
borderlands. Alvar Núñez Cabeza de Vaca and Francisco Palou.
- Occupation and resistance. The corrido and Maria Amparo Ruiz de Burton’s The Squatter and the Don.
- Immigration and empire. Bernardo Vega.
- Ethnic validation and
consolidation. Fabiola
Cabeza de Baca.
- Cultural memory. Tomás Rivera and
Richard Rodríguez. Film: John Sayles’ Lone
Star.
- The politics of language and bilingual
aesthetics. Gloria
Anzaldúa, Tato Laviera. Gina Valdés.
Gustavo Pérez Firmat.
- Gender and
identity.
Sandra Cisneros
and Junot Díaz.
- Transnational social consciousness. Helena
Viramontes. Lourdes Portillo.
-Tomás Rivera . . . y no se lo tragó la tierra/. . . And the Earth Did Not Devour Him (1971)
- Course reader
The course will be taught in English and will consist of lectures, discussions, student presentations, and at least one film screening. The readings and films will be in English, although some of the texts may be bilingual or incorporate code switching.
Assessment:
The final grade will be broken down into the following components:
- student participation (20%)
- a term paper to be presented in class (25%)
- a mid-term exam (25%)
- a final exam (30%)
B
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Anzaldúa, Gloria. Borderlands: La Frontera. S. Francisco: Spinsters/aunt lute, 1987.
Baron, Dennis. The English-Only Question: An Official Language for Americans. New Haven: Yale UP, 1990.
Cabeza de Baca, Fabiola. We Fed them Cactus (1954). Alburquerque: University of New Mexico Press, 1994.
Calderón, Héctor, and José David Saldívar, eds. Criticism in the Borderlands: Studies on Chicano Literature, Culture, and Ideology. Durham, N. C.: Duke University Press, 1991.
Cisneros, Sandra. Woman Hollering Creek and Other Stories. New York: Vintage, 1991.
Cantú, Norma Elia. Canícula: Snapshots of a girlhood en la Frontera. Alburquerque: University of Mexico Press, 1995.
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Flores, Juan ed. Divided Borders: Essays on Puerto Rican Identity. Houston: Arte Público Press, 1992.
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The New World Border. San Francisco: City
Lights, 1996.
Gómez-Peña,
Guillermo. Dangerous Border
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George J.
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