1. Goya and Iluminism: light and darkness. The work
of Goya in the context of Iluminism in Napoleonic wars
in Spain. 2. History: National past and its artistic image in XIX century
Spanish painting. The Historic Painting as a
genre, as well as a medium to construct a deliberate image
of the past. 3. 1898: Rediscovering Spanish landscape and its consequences.
The influence of the literary generation of 1898 and its
morale on the landscape painting at different times of
the XX century, from “luminismo” to the avant-gardes. 4. “Modernisme” and Catalunya. The “modernista” style
as a reflection of the economic, political and social
progress of Catalonia at the turn of the century. 5. Regionalism: geographic, social and artistic difference.
Territorial and artistic differences at the Spanish peripheral
regions, between modernism and tradition. 6. Avantgarde: París as a Mecca. Spain, as a province
of the Parisian metropoli and the presence of Spanish
artists in the international avant-gardes. 7. Art and Comittment during the Civil War. Guernica.
Art as a political issue: The works in the Spanish Republic
Pavilion at the International fair of 1937. 8.
The Franco era. Art in Spain from 1939 to 1975. Main problems and events in the artistic development during Franco’s
dictatorship: cultural isolation; abstraction vs. figurative
art; artistic institutions and political issues. 9. Art in Democratic Spain. A new scope. Some relevant
examples of the new situation of Spanish art after the
advent of Democracy: the museum boom, the international
status of Spanish artists. A new social support for art
and culture? 10. The last decades. An analysis of some of the most
outstanding Spanish current artists trough exhibitions
in Barcelona. No handbook on Spanish modern and contemporary art is available in English. Moffit, John: The
Arts in Spain. London, 1999 A reader with some articles and book chapters will be also provided. Selected Specific Bibliography: - Amell, Samuel (Ed.) Literature, the arts, and democracy : Spain
in the eighties; with translations by Alma Amell.
Rutherford, Madison, Fairleigh Dickinson University Press
; London ; Toronto : Associated University Press, c1990
- Chipp Herschel B. Picasso's Guernica History, Transformations,
Meanings. With a chapter by Javier Tusell. Berkeley,
Berkeley University of California Press,1988 -Daix, Pierre. Picasso. Life and
Art. New York, Icon, 1994 -De Riquer, Borja (Et alt.) Modernisme i modernistes. Barcelona, Lunwerg 2001 -García
de Carpi, Lucía (Et alt.). El surrealismo en España.
Exhibition catalogue, Museo Nacional Centro de Arte Reina
Sofía, Madrid, 1995 (Spanish-English edition) - García, Josep Miquel. From Gaudí to Tàpies: Catalan
Masters of the 20th Century. Barcelona, Generalitat
de Catalunya, 1996 -Harris, Derek (Ed.). The Spanish Avant-Garde. Manchester and
New York, Manchester University Press, 1995 -Homage to Barcelona. The city and its Art, 1888-1936. Exhibition
catalogue, Hayward Gallery, London, 1985 -Licht, Fred. Goya. The Origins of Modern Temper in Art. London,
1979 -Nash, Steven A. (Ed.) Picasso and the War Years, 1937-1945.
New York, Thames and Hudson, 1998 -Ocaña, María Teresa (Dir.) Picasso and Els 4 Gats: the Early Years
in Turn-of-the-Century Barcelona. Boston, 1996 -Peel, E (Ed.): The Painter Joaquin Sorolla. New York, IBM Gallery
of Science and Art, 1989 -Pérez Sánchez,A., and E. Sayre (Eds.) Goya and the Spirit of Enlightenment.
Exhibition catalogue, Museum of Fine Arts, Boston, 1989 -Richardson, John A Life of Picasso. With the collaboration
of Marilyn McCully, London, Jonathan Cape 1991 -Tomlinson, Janis A.: Goya in the Twightlight of Enlightenment.
New Haven and London, 1992
-Bozal,
Valeriano. Pintura y Escultura Españolas del siglo
XX. (2 vols.). Madrid, Espasa Calpe, 1995 -Abrantes,
R., Fernández, A. and S. Manzarbeitia. Arte español
para extranjeros. Hondarribia (Guipuzcoa), Nerea,
1999 |
||||
28-09-2005 |